Selected Reviews and News Coverage

Laura Cumming, "Venice Biennale: 10 of the best artists - in pictures." The Guardian, June 1st, 2013.

Dawn Chan, "Tavares Strachan." Artforum. May 29th, 2013.
http://artforum.com/words/id=41404

Gregory Volk, "Venice Biennale Journeys: Kjartansson and Strachan," Art in America. June 24th, 2013.

Holland Cotter, "Beyond the ‘Palace,’ an International Tour in One City." Art Review. The New York Times. June 5th, 2013.

55th Venice Biennale, Exclusive Interview: Robert Hobbs/Co-curator of the Bahamian Pavilion, June 7, 2013.
http://blog.uprising-art.com/en/55th-venice-biennale-exclusive-interview-robert-hobbs-co-curator-of-the-bahamian-pavilion-2/

Christine Filippone, "Alice Aycock: Sculpture and Projects by Robert Hobbs," Woman's Art Journal 27, no. 1 (Spring/Summer 2006): 57-61.

Allan M. Jalon, “The Prescience of a Cranky Critic [Clement Greenberg],” Los Angeles Times (December 5, 2004), E 47.

“The ‘Conspiracy’ of Art of Mark Lombardi,” National Public Radio, Weekend Edition, Saturday, November 1, 2003: Interview with Robert Hobbs.

Eleanor Heartney, “Art – The Sinister Beauty of Global Conspiracies,” New York Times (October 26, 2003), AR 31.

Michael Kimmelman, “Art Review – Webs Connecting the Power Brokers, the Money and, Ultimately, the World, New York Times (November 14, 2003), E36.

Carol Vogel, “Inside Art: Artist Is Chosen,” New York Times (December 28, 2001), E42.

Ted Loos, “A Flashy Museum Gives a Quiet Painter a New Look,” New York Times (December 23, 2001), AR 39, 42.

Michael Kimmelman, “A Tough Abstractionist on Her Own Merits,” New York Times (September 10, 2000), AR 91.

Ken Johnson, “Seeking a Constant in the Many Styles of Lee Krasner,” New York Times (October 6, 2000), E36.

“Lee Krasner Exhibit,” National Public Radio, Morning Edition, December 30, 1999. Interview with Robert Hobbs.

Amei Wallach, “The Lee Krasner Who Was Herself and Only Herself,” New York Times (October 3, 1999), 41,42.

Martica Sawin, “Lee Krasner by Robert Hobbs; Lee Krasner: A Catalogue Raisonné by Ellen G. Landau; and Elaine de Kooning: The Spirit of Abstract Expressionism, Selected Writings, essay by Rose Slivka,” Woman's Art Journal 18, no. 2 (Fall, 1997): 31-33.

Thomas McEvilley, “The Missing Tradition,” Art in America 85, no. 5 (May, 1997), 78-85, 137.

W. Jackson Rushing, “Pousette-Dart's Spirit-Object, Indianapolis Museum of Art (review),” Art Journal 50 (Summer, 1991): 72-75.

Jean Robertson, “Richard Pousette-Dart, Indianapolis Museum,” Artforum 29 (May, 1991): 150-151.

John Russell, "Robert Carleton Hobbs, Edward Hopper (book review)," New York Times Book Review (December 6, 1987), 89.

Calvin Tompkins, "The Nature Problem," New Yorker 58 (March 29, 1982): 134-138.

F. Spalding, "Robert Hobbs, Robert Smithson Sculpture (book review)," Times Literary Supplement no. 4141 (1982).

Kate Linker, "Robert Smithson Sculpture," Artforum 20, no. 10 (Summer, 1982): 80.

Bruce Kurtz, "Robert Smithson Sculpture," Art in America 70, no. 4 (April, 1982): 135-136.

"Formative Years, Whitney Museum, New York," Kunstwerk 32 (February, 1979): 37.

Roberta Smith, "Abstract Expressionism: The Formative Years, Whitney Museum," Art in America 67 (May, 1979): 134.

Hilton Kramer, "Abstract Expressionism: The Formative Years," New York Times (April 16, 1978), II, 26.

Lawrence Alloway, "Art Exhibition--Abstract Expressionism: The Formative Years," The Nation 227 (October 28, 1978): 452-453.

G. Dorfman, "Abstract Expressionism: The Formative Years," Artforum 17 (December, 1978): 61-63.

Barbara Rose, "Durability of Abstract Expressionism: Exhibition at Herbert Johnson Museum of Art, Cornell University,” Saturday Review 5 (May, 1978): 44.

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