Selected Books and Exhibition Catalogues
Books indicated with asterisk (*).
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| John Wesley: The Bumsteads. New York: Frederick Freiser, 2007. |
Excerpt (PDF) |
| *Robert Hobbs and David Moos, Frank Thiel: Photography. Stuttgart: Cantz Publishing, 2006. |
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*Alice Aycock: Sculpture and Projects. Cambridge and London: M.I.T. Press, 2005. This book is the first comprehensive view of this important postmodern artist’s work.
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Excerpt (PDF) |
Mark Lombardi: Global Networks. New York: Independent Curators International in conjunction with D.A.P., 2003. This publication served as the catalogue for the first retrospective exhibition of the artist’s work that traveled to seven venues, including the Drawing Center in New York City. It is now in its third printing. |
Excerpt (PDF) |
Kara Walker: Slavery! Slavery! Washington, D. C.: FUND FOR U.S. ARTISTS AT INTERNATIONAL FESTIVALS AND EXHIBITIONS, a public/private partnership of the United States Department of State, the National Endowment for the Arts, the Rockefeller Foundation, and The Pew Charitable Trusts, with administrative support from Arts International, 2002. Catalogue for the U.S. entry for the 25th International Bienal of São Paulo, Brazil. |
Excerpt (PDF) |
| *Milton Avery: The Late Paintings. New York: Harry N. Abrams, Inc., Publishers, 2001. |
Excerpt (PDF) |
| James Siena. New York: Gorney, Bravin + Lee, 2001. This is the first catalogue on this artist’s work. |
Excerpt (PDF) |
| *Lee Krasner. New York: Harry N. Abrams, Inc., Publishers, 1999. |
Excerpt (PDF) |
| *Beverly Pepper's Spazio Teatro Celle. Torino: Umberto Allemandi & C., 1998. |
Excerpt (PDF) |
| Hong Kong Now! Seattle: University of Washington Press, 1997. |
Excerpt (PDF) |
| Arnaldo Roche-Rabell: The Uncommonwealth. Seattle: University of Washington Press, 1995. |
Excerpt (PDF) |
| Mark Lindquist: Revolutions in Wood. Seattle: University of Washington Press, 1995. |
Excerpt (PDF) |
| *Beatrice Mandelman: Taos Modernist. Albuquerque: University of New Mexico Press, 1995. |
Excerpt (PDF) |
| “Andres Serrano: The Body Politic” in Andres Serrano: Works 1983-1993. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1994: 17-43. This is the first retrospective view of the artist’s work. Reprint in Andres Serrano: Works 1983-1993. Malmö, Sweden: Malmö Konsthall, 1996. |
Excerpt (PDF) |
| Maud Gatewood: Re-Visions. Greensboro: Weatherspoon Art Gallery, The University of North Carolina at Greensboro, 1994. [Distributed by University of Washington Press]. |
Excerpt (PDF) |
| *Earl Cunningham: Painting an American Eden. New York: Harry N. Abrams, Inc., Publishers, 1994. This is the first monograph on this self-taught artist’s work, which is now housed at the Menello Museum in Orlando, Florida. |
Excerpt (PDF) |
| *Lee Krasner. New York: Abbeville Press, 1993. |
Excerpt (PDF) |
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| More excerpts will be added soon. |
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| © Robert Hobbs, 2008 |
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